Francisca Cerda


Santiago de Chile, 1943

Nature has always been the major issue of her work. First the search for the human being, her inner work as a woman and then the relationship with the man, the partner.

For some time now, this sculptress has placed geometric shapes as containment centers; in her works she uses a simplicity that contrasts with other more textured internal forms.

“My continuous search for different materials with which to express myself has led me to use ceramics, wood, and metals such as aluminum, bronze and steel. In the latter, I integrate the color”, indicates the artist.

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